I will be at the Anthropologie store in Bath this week on 22nd September, where there is an event showcasing Bath design businesses, ranging from food to drink to decorating to arty crafts. There is also late night shopping, a glass of fizz, plus food and drink tasters.
I teach art and craft courses through The Workshop Cabin, and we will be highlighting what craft activities and sessions will be coming up in the autumn and spring. There are some great ideas, like workshops for Hen parties who often come to Bath, where they can make table decorations and wedding favours for the Big Day whilst sipping some Prosecco, (always a plus!). Plus there are courses in paperwork, plaster, sculpture, photography, wood carving and more.
Vintage Paper Christmas Trees
The Workshop Cabin is also offering new event design services for any size of gatherings; weddings, parties, special occasions, dinners and so on.
Tickets are available here which are reedemable against any store spend over £20.
Over the past two weekends I have been teaching some classes for The Workshop Cabin in Bath in the wonders of plaster, (cue large amounts of hand cream as it is pretty brutal on the poor mitts). The Workshop Cabin put on really cool workshops, ranging from painting to photography to bookbinding and many more. Definitely check out their site for inspirational activities… I have my eye on the Pyrography workshop already.
Anyhow, over two Saturdays we built, planned, mixed, dipped, wrapped, made a mess, painted and mounted various works. The results are pretty great and I think that the participants were pleased with their results – the sculptures were especially amazing. An added bonus was that it was just before Valentine’s day, so the plaster flowers were put to good use as gifts for some lucky recipients.
All Photos courtesy of Heidi @ The Workshop Cabin
Everyone beavering away with their plaster
Plaster flowers drying
Happy Valentine pressies
Sculptures in progress
The final sculptures…
Final sculptures with bronze paint effects, and some very happy punters…eat your heart out Alberto Giacometti….!
I saw this post on Becoration, and it has some great ideas. Given my recent work on a map for a gallery, (picture at bottom of post), here are some things I can do with the leftover spares I have! I love the wall map with tags….
I’m in the process of putting together a new collection of cushions for my Etsy shop and want to ask for your input!
It’s so much fun looking at all the choices of fabric out there, and while I have decided on some, I’m finding it hard to narrow down my final selection. I thought who better to ask than the great readers of my little blog? If you have a few minutes, thanks for looking through the fabric swatches below and voting for your favorite at the bottom. You can vote multiple times, so if you like several of these, just refresh and select again.
Don’t see something you like? Please leave a comment with your idea for a perfect cushion color or pattern. I really appreciate your help and who knows, your choice could end up on my shop come autumn!
I have had a couple of queries about my plaster and gold feathers, so I thought I would put a tutorial up about making them. They are quite fiddly to make, but perseverance makes it possible!
They look great framed, or randomly lying about. I balance mine on top of picture frames or keep them in pots. They look like the most delicate matt china sculptures.
Feathers – you need quite strong and long ones such as pigeon/pheasant/seagull types. Strong quills and dense tight plumage are best rather than ones that have fluffy edges. Also, if you can get pale ones go for those as a preference. If you cannot find real ones lying around, ebay sell great feathers in the fishing section (used by people for making fishing flies, and much cheaper than buying via Haberdashery or Craft sections and suppliers). I have tried the ones from kids craft shops that are already dyed, but the colours are usually very bright and make it a longer process to create a pure white finished article.
Plaster of Paris – I use regular art shop/craft shop plaster. You can go for expensive fine grade versions, but you will be building up layers so the former is just as good.
Gold leaf, or gold acrylic paint or gold spray if you don’t want to try gilding.
Washing Line – You will need to hand the feather to dry, so some sort of washing line or string home-made version.
Thin Garden Wire – this is to tie onto the end of the feather where the quill is visible, sort of like a little handle.
Plastic Jug – this has to be a t least 2/3rd of the length of the feather.
A hand whisk.
Separate jug/bottle of tepid water.
Find a plastic jug that will fit your feather in lengthways once the plaster is made up. You will also need to fit a hand whisk into it so bear that measurement in mind.
Prepare the feather by twisting the wire onto one end, bend one end of the wire into a S hook shape for hanging the feather later
Mix up the Plaster of Paris. I do it by eye instead of measuring. Fill up the jug by 2/3rds and start adding the plaster to the water and whisking vigorously until it is like single cream in consistency. It starts to thicken really fast so you need to work quickly now!
Take the feather by the wire end and start rolling it around it in the plaster, tilting the jug so you cover all areas of the feather. You will find that the natural oils in the feather try to repel the plaster, so keep going until all the feather is covered. Gently tap the feather to remove excess and hang up to dry. You should have time to do one more feather with this mixture. Don’t worry if not all areas take the plaster mixture, as you will do a second coat later if it is needed. Some feathers take one coat, others need more…. luck of the draw.
After this, the remaining plaster will be trying to thicken, so add some more tepid water and whisk, you should get it thin enough to cover a couple more feathers.
Leave the feathers to dry totally and wipe out your jug asap before the plaster sets hard, use really hot water to dissolve what is left in the jug and flush the sink thoroughly for 5 minutes with hot water to stop drains blocking.
The plaster on the feathers feels damp and cold until it is fully dried out, I leave mine at least 6 hours or overnight to harden off. Then I run another plaster layer again on them if they need it. Again, let them dry totally. They will resemble very fine matt porcelain when finished.
When dry start the gilding. I had never done this until recently, and it is much easier than people think, and it has such an amazing lustre compared to gold paint.
I use diluted PVA as my size, about 50% water added, and brush it thinly over the area in smooth even strokes, avoiding puddles and runs, (as the leaf is wafer thin any marks underneath will be visible when finished). As the size dries it will become clear with a tacky consistency. To test if the size is ready to accept the leaf lightly press your knuckle to the surface, if it clicks when you pull it away it is ready. Do not test using your finger tip as it will leave a print that will show through the leaf, or will remove the size from that area.
The tricky bit – Gold coloured leaf is available in genuine gold and imitation leaf, the genuine leaf will be richer in colour and finish, different coloured metal leaves are also available. I use transfer leaf, (attached to tissue paper), making it easier to apply.
Once the size is tacky place the gold leaf on the object and brush it gently with a very soft brush. Lay the next sheet of leaf down so that it overlaps slightly, and repeat until the surface is covered. When applying to raised surfaces you may need to use small pieces of leaf to fill crevices first, and use a soft bristle brush to tamp the leaf into the grooves. Wait 30 minutes and then buff with a lint free cloth. You can apply a clear varnish if you want to, but I don’t on my feathers.
Here is a useful video showing you how to apply the leaf if you have not done it before.
I have been really busy recently redecorating the house, and have not been running stalls at Artisan or Craft Markets for over a year. The last one I did was great, and I totally sold out and also took extra orders for my paper wreaths… but WOW was I knackered at the end! Christmas is a time when people want the paper wreaths, so I need to prepare them early so I have enough, I definitely learned that last time. However, the advance orders are also good as people can choose their colours to match their Xmas decorations.
This Lovely primitive style piece is going to be used in an outdoor wedding this summer. From what I’ve heard of the details about this wedding, it is going to be absolutely beautiful!
Earlier I had posted about a 3 tiered table, well this hutch belongs to the same wedding.
I can just imagine it under the reception tent filled with beautifully decorated sweets, cutlery, plates and napkins …
… onto the pictures
This is how it came to me. I only have pictures of the bottom half … sorry!
this is it now …
I Primed the entire piece with a coat of espresso brown paint to begin with. I then proceeded to give it 2 coats of MMS Milk paint in linen with bonding agent added. I did not really want it to chip too much as I wanted to control the amount of distressing it would…
There is something hypnotic at looking at reflections in a convex mirror, all of the distortions are really interesting. I also like the fact that I look like a Manga person or Dobby from Harry Potter with really huge eyes. A similar effect can be found by looking at your reflection in a soup spoon, but I digress…
I have been collecting the mirrors for a while and waiting until I had enough to do a grouping, I saw the below picture and love them in a cluster. Today I was in ‘Homesense’, (one of my favourite EVER stores), when I spotted a couple of different sized ones, so I snapped them up for a song. On returning home, I decided to gather them all together and finally get them up onto a wall.
I decided to group them in the dining room and above the mantlepiece, which currently looks like the below. The mirror is too low I think, and the large paper flower overwhelms the space. I have very tall ceilings and everything looks too low in the picture.
I had 5 convex mirrors to play with, so fiddled about until I liked the arrangement and then fixed simple picture pins into the walls to hang them. This is the result in the evening light:
I think the wall looks better now, as more space is visible. This is how it looks in the daytime:
The space around the frames makes the other ornaments on the mantlepiece stand out much better now too I think:
Marie Claire Maison has featured this interior shoot in April 2015 and the color palette is wow! Although having been up in London recently, I am bit bearded-out so to speak as every man I saw had full facial hair. I just always think of Mr Twit by Roald Dahl when confronted by facially hirsute men.
I have recently completed an art piece for an exhibition for the Cornish Gallery POP, who are running a show later this summer called Art & the Map of Cornwall. Various artists were given an old large map of Cornwall, and asked to create a new piece of work around the piece that is inspired by the county. I am overawed to be in the company of artists such as Pure Evil, Ben Allen and Krisjana S Williams.
My piece in the show pays homage to the county via the famous Japanese ukiyo-e artist, Hokusai, and in particular, his image The Great Wave off Kanagawa. This image is so instantly recognisable that it has almost become a part of modern iconographic culture. I have turned it into a pop art piece, with twists on the original print.
As the show is not yet launched I won’t be posting the finished work yet, so here is the original image as a teaser until the dates are announced.