Dom-Ino House Project

 

wide with antique backgroundThis brief was to design a second home for the installation artist Olafur Eliasson.  The site is situated at the top of a tranquil gully in the Avon Gorge with a steep drop off, and amazing views down to the River Avon.  Having lived in and around Bristol for many years, I had no idea that this secret place existed, and took the theme of secrecy as a key inspiration for the project.  The house architecturally is based on Le Corbusier’s Dom-Ino house structure – slab walls, pilotis columns and a staircase.  This allows for multiple choices as to where walls and windows can be placed.

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My client is known for his works with light, colour and creating new perceptions of views, so this was all considered in the design of the home.  I wanted to create a space for him that is a live/work studio, with distinctive private and public spaces.  Eliasson is half Icelandic, so this is referenced as well in the use of turf on the roof of the house – a nod to the ancient Icelandic buried hill houses.

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The design embeds the house into the cliff, so that from the northern approach you do not even know there is a house there.  It is only when you are standing on top of the roof that you realise there is a staircase descending into the house.  There is a 1m meter space around the house within the carved out space in the cliff,  so it lets light fall from pierced walkways above and feed natural light into the house.

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My client is passionate about ecology and sustainability, so external building materials used in the house include rammed earth walls, hempcrete, recycled glass and turf.  Then structure is concrete, but uses the most ecologically available mixture made from 70% recycled slag furnace waste.

The entrance into the house is by moving down the stairwell, these have a pierced wall system designed to create spots of light in the sunshine which move across the space as the sun moves overhead.  Mirrored stainless steel walls create strong reflections and further bounce light through the stairwell.

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The studio space is on the first floor and is open plan, with a kitchen area concealed behind sliding doors.  A ceiling grid allows for maquettes to be hung up out of the way.  The furniture is all on castors so the room can be reconfigured as an office / studio / dining room /exhibition space.  An oculus window was designed to distort the view looking in and out into the gully.  Along the mainly glazed south facing wall are a system of internal glass sliding panels in colours which can be moved to create new perspectives and views of the valley beyond.

Studio Visualisation

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The floor below is a personal space for my client where he can relax and sleep.  A large balcony creates an exterior entertaining space with a system of textural glass screens.  The interior is a neutral and calm space with natural textures.  A fireplace pierces the wall so it can be accessed both inside and outside.

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The final level is a secret place that only my client can access. An internal jib door is concealed behind a bookcase, and opens to reveal stairs leading to a sub level.  This is open air, but protected from wind and rain by the house above it.  Pilotis were raised to 2m to create this space.  Here my client has an outdoor kitchen, decks, a dance floor (he was the Swedish champion in breakdancing for 2 years running!), and a luxurious wood fired Swedish hot tub so he can use it all year round and enjoy the views.

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Finished Model-ALL PLANS

This project entailed the learning of CAD for the first time, and material testing with fabrication of glass, concrete, hempcrete and rammed earth samples.

 

 

A Year of Learning…

So being a busy-bee student has definitely been a real adventure this academic year… but what a blast and I love every minute of it.

Next week I get my final crit from Tutors for my latest project.  I have been charged to design a Pavilion (full on Architecture style, from fixings to weights to construction), a bar to go in it, and do it all within a Grade I* listed site so absolutely no touching of the fabric of the building etc.  I am finding that I have a bit of Brutalist slant to my work, which is very surprising given the chaotic clutter which I live in (and love)…

I realised I have not posted any work on here since I started back at Uni, so here’s a few bits and bobs I have done this year to prove why I have had no social life, sleep or spare time to post much… 🙂

Semester 1:  Theatre Design & Product Design

Here I started out learning about Orthographics and site surveys.  Basically if you do this type of drawing by hand, JUST as you reach the end of a drawing your hand slips and you have to either scalpel off the ink, or more usually START AGAIN…Gah!  My tutor also is an architect, and knows if I am on a 0.01 or 0.1 pen so you can’t make any mistakes as he’ll know.

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I started to learn how to make scale models.  This is something I love doing, and think I am like Gulliver but maybe with more fumbly fingers and a tendency to superglue myself to small things…PORTFOLIO MASTER COPY 4 UPLOAD copy8

My next challenge was to design a theatre installation inside a beautiful Medieval Hall showing an excerpt of a scene from Macbeth.  This is where the brutalist streak started coming through I think… why try and complete with 600 year old carvings, go the opposite way….!  I also made films as part of the design as that is something I used to do in the past for a living, and this design had no budget attached so I went all out for it…

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The next project was to design a piece of modular furniture to be used in a travelling exhibition planned for the first ‘Martian House’.  This will be a pod designed a bit like the Antarctic science stations for prolonged living on the red plant in 2030.  I was asked to focus on wellbeing and health, so came up with a multipurpose item that becomes  amongst other things gym parts with added games to spice up what will be probably be a very dull life on Mars…

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Semester 2/3:  Staircase / Pavilion & Bar Design

I had to present a project on the design of a staircase by a notable architect, (right down to delivering a correctly scaled model).  I was given one by the architect Santiago Calatrava, one with NO KNOWN MEASUREMENTS ANYWHERE, which resulted in me travelling to Basel in Switzerland tape measure in hand.  But I measured the thing and managed to build the model to scale.

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Below is my last project this year, and I will know if I have been slayed by the end of June (gulp)….  I have worked myself to the bone in this one, and cannot even begin to count the hours/days/weeks/months it has taken…

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What have I learnt?

Less is More and document everything!  I have to justify and be accountable for every minute detail, right down to fixings and screws.  I have also had to learn a huge amount of new digital skills as presentation boards are so vital; Photoshop, Rhino, Sketchup, Illustrator, Lightworks, CAD and so on.  My iCloud storage is huge already as a result and I have over 11,000 photos on my phone….

I have also learnt brilliant practical skills; steam bending, digital fabric printing, woodwork, welding, plasma metal cutting, textiles, ceramics, 3D printing, laser cutting, fabric manipulation, resin and jesmonite techniques, and more.  I have learnt the (new) ways of digital studio shooting in photography, (I am so vintage that I did my first degree in photography on film, and digital did not even exist!).  The fabrication facilities are amazing at my University and the technical staff are brilliant, I am making them a huge cake next week to thank them for teaching me so much already.

On top of all of the practical I also had to deliver a critical blog and essays.   Now I know why Uni students have/need such long summer holidays, I am frazzled but still raring to go for September this year although I think the pressure will be on even more….

Adios for now

Emma